Visual Ideology: Moving Beyond the Image

Visual Ideology Pinterest

In “Rhetoric of the Image” Roland Barthes asks, “How does meaning get into the image? Where does it end? And if it ends, what is there beyond?” (152). It is this question—what is beyond the image—that I am trying to answer in my current research. Moving beyond the image pushes us into the realm of ideology. To help answer this question I will be drawing from scholars in visual rhetoric and functional linguistics. The linguist Ruqaiya Hasan argues that meaning arises out of a dialectical relation between a text and its social context. To study the social construction of ideology, we need not only deal with semiotics, but semantics, the study of meaning, as well. So one of my major research questions is how to map the semantic plane of ideology bridging visual texts and social context.

Take, for instance, a comparison of the visual design of the front pages of Drudge Report and Huffington Post. Both pages, visually, are nearly identical. Drudge did popularize the triptych or three-paneled layout that is now a hallmark of most news websites. Yet, if the websites are so similar, how are they able to construe such different ideologies and be geared to such different subjects? The websites’ denotations are quite similar, yet their connotations could not be more different.

One way ideology is at play here is the complimentarity between text and image. Both sites choose unflattering pictures of their opponents to help discredit their opposition. The sites may use the same image but attach negative or positive textual statements to that image. Yet, even the complimentarity between text and image does not fully explain how ideology is conveyed. Both sites could publish the same image, knowing their viewers would respond differently. So, we need to move beyond the image and begin mapping the semantics that arise out of text and social structure. Using Charles Peirce’s terms, we would have to posit that both sites assume a different interpretant. In other words, each site assumes a different type of reader, from a different social context while simultaneously producing different subjectivities that interpellate the viewer. Huffington Post would appear to have a more narrative structure and editorial stance because Drudge does not produce news content, just aggregates news from other sites. However, Drudge is by no means ideologically transparent. The site is meticulously designed and curated to present a particular ideological view. Lastly, we cannot assume that the connection between signifier and signified is completely arbitrary, as Saussure argues, or we would have no way of analyzing why news sites are designed as they are. There are important ideological and semantic reasons for structuring a news site around a large headline, with less “important” headlines underneath.

2 responses to “Visual Ideology: Moving Beyond the Image

  1. Julia Romberger

    Jason – Great ideas here. I would also recommend that you look into work on political rhetoric to get at interpretant and the ways in which it is inculcated through discourse. This is a very sound project — part of a dissertation idea?

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